I was just the right age for the first Spider-Man film. I was twelve, maybe eleven, when Spider-Man was released at the end of my first day at a Star Wars convention. At the theater, my dad and my friend and I saw a lot of the same faces from the convention. The same sci-fi space opera nerds were also comic book geeks, which should be sort of obvious. Back in 2002 there was a really palpable enthusiasm for a superhero movie’s release. I saw a Stormtrooper take off his helmet and put on a Spidey mask. People cheered at the opening credits. I got goosebumps, partly because of their enthusiasm and partly because, even if I wasn’t alive for the forty years between Spider-Man’s introduction and his theatrical debut, I had gone back and loved him in my little span of time. Hollywood was filming the “unfilmable,” which is the same thing Hollywood said about the Lord of the Rings. Nothing’s unfilmable. Executives just try to suppress their imagination for as long as possible.
I went to a comic book club at the Fort Wayne public library when I was ten. The older kids were discussing the ins-and-outs (relatively, the utter minutia) of heroes. What they thought about ___ Crisis, or whatever. I asked if they knew anything about Pokemon and they laughed at me. That’s a totally fair response, especially in that environment. I’d do it now.
So my parents got me Marvel encyclopedias for one of my childhood birthdays. Hulk, Spidey, and the X-Men. I still have them. I remember poring over them, memorizing every character and their respective powers. I read every comic book I could get my hands on, but there were a lot of back-issues too expensive for my little allowance. Also, the 90s were a dark time and tried to be “gritty” and “adult” in ways that would offend my parents if they looked over my shoulder. So I read a lot about Cable without often having Cable issues in front of me. Did you know that one time Magneto ripped the adamantium out of Wolverine? Woah! The X-Force kills people! This picture of Mojo and his Mojoverse actually sort of scares the hell out of me!
The second X-Men film came out on a middle school band trip to St. Louis. It’s the best (was the best?) in that film series and definitely better than the first. I remember taking glances at my friends after the film’s best scenes, locking eyes and wordlessly asking them, “Are you seeing this? Can you believe they were paid millions of dollars to film this? This is so good – is this what we missed out on for not being alive in the 60s?” I saw X2 in the theater at least three more times.
What happened later in the decade is that the money got to be too much and the egos got to be too big. Executives wanted too many villains in Spider-Man 3 and dudebros got to direct X-Men movies and you tried to justify it, you tried to make it seem okay, you wanted that enthusiasm but it wasn’t really there. “Well, we have Venom now. That’s cool. Angel was in his movie for a total of four minutes and still got on the poster hanging outside. Better than nothing, right?” The movies started to suck and the directors and actors knew they sucked and everyone moved on. I remember remaining optimistic that 4 will turn it around! Spider-Man 4 will be great, X-Men 4….uh, clearly I hadn’t watched Superman 4: THE QUEST FOR PEACE.
It’s like I became resentful at every reboot announcement. Now Peter Parker isn’t a dorky anxious kid you can relate to, he’s handsome and hilarious to everyone and has no trouble – but he watched Star Wars once! The X-Men are attractive young hairless nobodies plucked from the Disney Channel, because we need people on the covers of teen magazines! Those movies aren’t bad. They’re okay. I just don’t care. I’m not overwhelmed and no one is cheering the opening credits. There are my favorite characters, doing what they do, as I have seen them do for the past 15 years, but this time it’s purely for money. Older kids don’t high-five each other walking out of the theater of The Amazing Spider-Man, they just walk back to their cars in silence, remembering almost nothing, and wait a month for the next shot. No one falls asleep in the backseat on the way home with a smile on their face.
The movie I saw tonight, X-Men: Days of Future Past, ends up justifying my theater experiences since 2000. It takes what I saw as the hairless tween nothings and weaves them into the “classic” (lol) series that got me so excited. It doesn’t leave me in the dust. It recognizes its own past, gives meaning to experience. Hell, to make sense of a lot of it you have to see the bad movies. To get the most you have to suffer through the past like I did. That’s all I’ve ever asked for: consequence. What I’m watching, reading, listening to should matter, it should have ramifications for the rest of the story. (As a complete aside, me saying “listening to” spawned a realization: I love mewithoutYou because their albums and songs establish continuity. Demon Hunter mostly sucks because they made one okay album they’ve been repeating for the past twelve years.) Sure, I’m not saying X-Men represents the highest caliber of art. It reestablishes my favorite parts of the series with time travel and retcons. Shoot a bit higher than X-Men, and for God’s sake don’t let Brett Ratner near a dead fish much less an important franchise, but try to give me the same feeling I had tonight: a smile on my face for the film I’m watching and for what I watched as a kid. I’m out of the 18-24 age bracket and am getting closer and closer to leaving 18-35, and Hollywood could ditch me for being old and constantly reboot in order to let new middle school kids standing outside the Smithfield Cinemas see the origin, new and cleansed and ready for accepting Teen Choice Awards. But with this one movie, one little two hours of my life that I’m never really going to expect, I knew my own childhood wasn’t totally whitewashed.
I’m not saying DoFP is this amazing, important experience to everyone. It’s a really good comic book movie, and if you don’t have my own history then that’s really it. It speaks to me – and that’s sort of wrong, because no one was thinking of me when they made it. They just did what came naturally, and I’ve been along for the ride for most of my life.